June 2017

– Dennis de Caires invited me to make an Aeriae guest mix for his Monday night 2SER (107.3 FM) Sydney radio show
In The Abstract. I've put together an hour long Twin Peaks-inspired mix which will appear on the June 12 episode. The whole show goes from 10PM to midnight and my mix will come on around 10:30 PM. Tonally it ranges from the angelic to the weird to the frightening; the Twin Peaks aesthetic. You'll hear music from bands like Seefeel and Retina.it, from computer games like Silent Hill, Dino Crisis and Burn:Cycle, from avant garde jazz musos turned producers like Basil Kirchin, and from me both as Aeriae and half of Thallium & Milo. And you'll hear a piece of music from 1990's Twin Peaks.

Thallium & Milo are now online: Christian Durham and I have been recording improvised music as T&M for about seven years now, but for a ton of logistical reasons I'm about to touch on, we haven't released any of our full length tracks until now. We've got three out to start: Pomp My Ride (19 minutes), Both Portents (16 minutes) and Kind Of Electroy (56 minutes).
– Our YouTube channel will carry all our tracks. Especially the long ones, which is most of them.
– Our
Bandcamp page will host our shorter to medium length tracks. They can be bought there in lossless format.
– Our
SoundCloud page will host a rotation of tracks both long and short, which you can freely download there in mp3 format.

About Thallium & Milo: Each of our tracks is improvised and recorded in real time with no planning or rehearsal. The average length has turned out to be 53 minutes. We don't aim for this length, but we do recall that 53 minutes was the length of a period at the high school we went to.

We play computers, traditional instruments, non-traditional instruments, voices and warped recordings of all kinds of sound. My estimate is that we've recorded 80-100 hours of material. It ranges through pretty much every genre at some point.

To date we've only released edited bits of our tracks, mostly on Clan Analogue compilations, because logistically that's what traditional release formats can handle. Over time we discussed whether we could or should try to edit our long pieces down for release. Christian always liked them best whole, and I eventually came around to the same way of thinking. Compositionally, they are what they are, and for anyone ready to listen, whether in the background or foreground (because we get it, they're long and you're not used to that!) we're going to start releasing them.

The main challenge has been approaching the mastering of freeform tracks that have dynamic ranges and content which vary wildly over time, the odd crazy 20 decibel surprise, mistake or tech glitch, and which run towards an hour. There's no setting and forgetting with music like this. However, my confidence in mastering other people's material has increased a lot over the past couple of years, and the day came when I suddenly wanted to tackle Thallium & Milo. And at whatever speed I/we can handle it, we'll be releasing from our back catalogue while continuing to make new music.

April 2017

– My new Aeriae EP Peril Triage (reviews: Igloo Magazine, Cyclic Defrost) is out now on Clan Analogue Recordings. It's all digital (no physical release) and available from tons of venues, including but not limited to: AmazonBandcamp (24-bit FLAC) – iTunesJunoSpotifyTidal
I've completed episode 2A of Aeriae - Live As Can Be which is about the track Skirr from my first album Hold R1. I perform the track then describe its software and controllerism setup in detail; how I put it together and why it is the way it is:
March 2017

– My Aeriae EP Peril Triage was released by Clan Analogue. To accompany the EP, I'm making a series of videos called Aeriae - Live As Can Be. In the first episode I talk about how I got into playing live via Moldover's awesome controllerism video. I demo Lenticular Cup and other music from the first Aeriae shows back in 2009, including the intro riff from Apple IIGS game The Immortal. Then I describe my setup in detail. For the keyboard outro, I play Spy vs. Spy from the Commodore 64:
January 2017

– I just added my Flippable Noise Gate ensemble for Reaktor to Reaktor's User Library. I put this effect together because I wanted the FLIP function from Ableton Live's Gate device to be available to me in other DAWs, and figured others might too. Also, a decent gate is about the only thing in the whole world that you don't get with Reaktor when you buy it!
– This year as part of my Clan Analogue activities, I'll be adding missing items from Clan's back catalogue to its Bandcamp page. The first one I added was
Re Cognition: The Clan Analogue Legacy Collection

November 2016

– I advised on the mixing of the Reuben Ingall / David Finnigan album Kill Climate Deniers, out now on Clan Analogue.
– I mastered the spinoff EP
The Bolted Report. I contributed a remix to the EP as Profound Actor. The EP also features Ingall/Finnigan, James Atkin of EMF, Future Conduits and iubar Project.

July 2016

– Clan Analogue's 2015 compilation release Intone: Voice Abstractions, to which I contributed as part of Thallium & Milo with the track God's Rainbow, was shortlisted for the Award for Excellence in Experimental Music at the 2016 Art Music Awards.
– I was a guest on episode 34 of podcast
Clash of the Type-Ins. We played my 2011 interactive fiction game Six.
– I've donated a cartoon about the megalomaniacal side of game development to the IFComp 2016 general prize pool. Click the pic below for a closeup:

framed_cartoon

May 2016

– To celebrate the inaugural itch.io week, I'm putting my 8-bit interactive fiction meets survival horror meets CRPG hybrid, Leadlight Gamma, on sale from May 9–14 with a pile of bonus content that's only available this week: 40 scanned pages of handwritten design material and three alt and inbetween Belinda illustrations. None of this stuff has been released before in any incarnation of the game or on its websites. And once itch.io week ends, the extra stuff is going back offline.

Click this sentence for the game link
Click this sentence for the sale link and more sale details

The video above shows 89 Leadlight game research images in 20 seconds and is set to
Girls from the Leadlight Gamma soundtrack.

April 2016
– I’ve just released the Aeriae track that I used to open my 2014 live sets: She’s No Heart. It’s a mashup/remix of one of my favourite bands, Qarpa, from Ukraine. Specifically it uses samples from their tracks Небо (from the album Lo-Fi TRавми (2005)), Кирі-ян and No Logo (both from the album Kurva Cum Back (2004)). The video I’ve cut is a mashup of Qarpa clips and concert footage. My thanks go to Qarpa, Qarpa fans and everyone who appeared in, filmed, or otherwise helped create or produce the footage used to make it. Thanks also to Julian Grodzicky and Svitlana Yakovenko who translated Ukrainian lyrics for my understanding.

With Qarpa’s kind blessings, I’m making the track available as a free download. It’s on
Bandcamp (stream online, or download in any format) and SoundCloud (stream online, or download as FLAC).

February 2016
– Aeriae is now on Twitter.
– I just released a room recording of my June 2012 Aeriae set. You can
SoundCloud the whole or BandCamp separate tracks.

September 2015
– Work is well advanced on a new Aeriae EP. It's based on my Victris live set.

July 2015

– I did a 30 minute interview about my game Leadlight Gamma for
IndieSider #26. The video starts with an 8 minute overview of the game.
April 9, 2015
– I released
Leadlight Gamma, my new interactive fiction horror adventure game, and the soundtrack to go with it. Check out the reviews at Adventure Gamers, Gamerz Unite and IFDB.




August 25, 2014
– I released my second album as Aeriae,
Victris. Read reviews of Victris at Cyclic Defrost and Chain D.L.K.